Welcome to Eureka Street
Looking for thought provoking articles?Subscribe to Eureka Street and join the conversation.
Passwords must be at least 8 characters, contain upper and lower case letters, and a numeric value.
Eureka Street uses the Stripe payment gateway to process payments. The terms and conditions upon which Stripe processes payments and their privacy policy are available here.
Please note: The 40-day free-trial subscription is a limited time offer and expires 31/3/24. Subscribers will have 40 days of free access to Eureka Street content from the date they subscribe. You can cancel your subscription within that 40-day period without charge. After the 40-day free trial subscription period is over, you will be debited the $90 annual subscription amount. Our terms and conditions of membership still apply.
Nam Le is one of the strangest writers in the history of Australian literature and is also one of the most incandescently brilliant — which is very weird if you bear in mind that his primary claim to legendary status is a book of short fiction published in 2008. With 36 Ways of Writing a Vietnamese Poem, Le returns with a new work that encapsulates the brilliance and complexity that fans and critics have come to expect.
The First Folio was published in November 1623. Shakespeare didn’t live to see his plays gathered together in the one place. His universe of words, his meteors of wit and description, his galaxy of human frailties and strengths, his shrouds of darkness and rays of light, were collected and bound by colleagues after his death in 1616, aged 52. The world owes them profound gratitude.
As the legacy of historical figures is reevaluated, Alfred Deakin, Australia's second Prime Minister, finds himself under recent scrutiny. A champion of Federation, Deakin also held views towards Indigenous Australians now regarded as abhorrent. But is erasing his name from a university the right step?
Amid shifting perceptions and the fluidity of names, our understanding of self dances on the edge of subjectivity. Traversing the landscape of literature, we're invited to confront our own reflections, to ask what truly defines us in a world that is ever-evolving, and to look beyond the obvious and into the heart of our shared human experience.
Renowned author and academic Tony Birch is known for his insightful and compelling narrative explorations into societal issues like marginalisation, Aboriginal identity and racial struggles. In conversation with Paul Mitchell, Birch discusses his work, the unique intersection of academia and creative writing, and the profound impact of historical dispossession.
Ian McEwan's Lessons marked a sharp twist in a five-decade literary career, and presents an opportunity to reflect on his expansive body of work. The one-time literary rogue and Booker laureate now stands as the unquestioned doyen of modern English fiction, his audacious work perpetually navigating undercurrents of unease.
Prisons are settings to which TV and film writers return regularly. It’s because ‘the joint’ gives them an environment in which they can enact the dramatic principle of the crucible easily: tension between duelling inmate protagonists and antagonists is heightened quickly to boiling point because no one can simply walk away.
Well before the pandemic, the future for poetry’s slim volumes was looking far from healthy. Last November, the threatened closure of UWA Press, one of the largest publishers of poetry in Australia, drew attention to the narrowing opportunities for emerging poets to make their mark.
Serendipity is defined as the gift of finding valuable things in unexpected places by sheer luck. It is a good description of Tasmanian Senator Jacqui Lambie in Australian politics. But there is a sting in the tail. A system which depends on serendipity potentially also has a big downside.
Found guilty for the slaying of Justine Damond Ruszczyk, Mohamed Noor became the first police officer to be convicted of murder in Minnesota in 'recent memory'. Minneapolis police spokesman John Elder insisted race had no part to play. A closer reading of the entire process presents a more complex, and troubling picture.
The Annabel Crabb-led Back in Time for Dinner has some perhaps inadvertent lessons for society — and for the Catholic Church. Amid the frothy wonder of it all come unexpected moments of pain and dislocation. We are always in the process of seeing and becoming.
'In the Beginning Was the Word' opens with Angelina D'Costa, 'five years to the day after she stopped being a Catholic', entering a church, determined to confront a popular priest who is known to have covered up for another priest who abused children; only to be moved to submission by the familiar beauty of the Mass.
1-12 out of 46 results.